Поэзия света, тени и темноты: лирическое "Я" и "Другой" в категориях темноты и света
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Дата
2018
Автори
DOI
doi.org/105281/zenodo.1494886
Науковий ступінь
Рівень дисертації
Шифр та назва спеціальності
Рада захисту
Установа захисту
Науковий керівник
Члени комітету
Видавець
Харьковский национальный педагогический университет им. Г. С. Сковороды
Анотація
В статье были представлены и проанализированы образцы поэзии, ярко реализующие принципы света, тени и темноты. Принцип света эксплицируется в образы таких явлений, как дневное время суток, бытийность, персонализация "Я", другого персонажа и конкретность/реалистичность персонажа и художественного мира, а принцип темноты – в образы ночи или переходного времени дня, темноты, сна, дремоты или опьянения, водной стихии или тумана, тайности, замирания процессов жизнедеятельности, остановки движения или периодического/кругового движения, чувства любви или смерти, слабой персонализации лирического "Я", часто посредством "Другого". В качестве образца поэзии света была представлена поэзия А.С. Пушкина, поэзии тени – И. С. Тургенева, а поэзии темноты – отдельные тексты постмодернистской литературы (В. Полозковой, Б. Гребенщикова, Г. Самойлова (группа "Агата Кристи") и др.).
The article presented and analyzed samples of poetry, vividly implementing the principles of light, shadow and darkness. The figurative-conceptual system of the text (lyrical "I" and "Other") is considered through the principles of light and darkness. The principles of light and darkness, being a pre-basis for the formation in the poem of the lyrical "I" and "The Other", determine the properties of the one and the other at the same time: both "I” and "The Other" are based on the same correlation of these principle. The principle of light is explicated in the images of such phenomena as daytime, beingness, personalization of “I”, another character and the concreteness / realism of the character and the artistic world, and the principle of darkness – in the images of night or transitional time of day, darkness, sleep or intoxication, water elements or fog, secrecy, fading processes of life, stopping the movement or periodic / circular movement, the feeling of love or death, weak personalization of the lyrical "I", often through the "Other". In the poetry of the shadow, the high personalization of "I" and the visibility, concreteness of the surrounding space remain, however, the value of "I" or "Other" proportionally increases in the ratio of "I-Other", but attributes of the principle of darkness appear – more chamber, shadow space or evening-night time of day, slowness or acceleration of time, silence, water element, fog, sleep, sad thoughts, the theme of love or death. As a model of the poetry of light, the poetry of A. S. Pushkin, poetry of the shadow – I. S. Turgenev, and the poetry of darkness – are separate texts of postmodern literature (V. Polozkova, B. Grebenshchikov, G. Samoilov (Agatha Christie group), etc.).
The article presented and analyzed samples of poetry, vividly implementing the principles of light, shadow and darkness. The figurative-conceptual system of the text (lyrical "I" and "Other") is considered through the principles of light and darkness. The principles of light and darkness, being a pre-basis for the formation in the poem of the lyrical "I" and "The Other", determine the properties of the one and the other at the same time: both "I” and "The Other" are based on the same correlation of these principle. The principle of light is explicated in the images of such phenomena as daytime, beingness, personalization of “I”, another character and the concreteness / realism of the character and the artistic world, and the principle of darkness – in the images of night or transitional time of day, darkness, sleep or intoxication, water elements or fog, secrecy, fading processes of life, stopping the movement or periodic / circular movement, the feeling of love or death, weak personalization of the lyrical "I", often through the "Other". In the poetry of the shadow, the high personalization of "I" and the visibility, concreteness of the surrounding space remain, however, the value of "I" or "Other" proportionally increases in the ratio of "I-Other", but attributes of the principle of darkness appear – more chamber, shadow space or evening-night time of day, slowness or acceleration of time, silence, water element, fog, sleep, sad thoughts, the theme of love or death. As a model of the poetry of light, the poetry of A. S. Pushkin, poetry of the shadow – I. S. Turgenev, and the poetry of darkness – are separate texts of postmodern literature (V. Polozkova, B. Grebenshchikov, G. Samoilov (Agatha Christie group), etc.).
Опис
Ключові слова
постмодернизм, литературоведение, философия, стихотворения, light, shadow, darkness, A. S. Pushkin, I. S. Turgenev, postmodernism
Бібліографічний опис
Мирошниченко М. П. Поэзия света, тени и темноты: лирическое "Я" и "Другой" в категориях темноты и света / М. П. Мирошниченко // Русская филология. Вестник ХНПУ им. Г. С. Сковороды : науч.-метод. журн. – 2018. – Т. 4, № 66. – C. 45-49.