Принципы слияния (темноты) и различимости (света) как основа для формирования лирического "Я" и "Другого"

Abstract

The article deals with the hypothesis that the principles of fusion / darkness / non-being and distinguishability / light / beingness are a basis for forming in the poem of the lyric "I" and "Other", defining the properties of one and the other at the same time. The principles of fusion and distinguishability are a paradigm-forming factor for images and concepts that arise during the perception of a poem. The paradigm DISTINGUISHABILITY (LIGHT) deals with images of such phenomena as daytime, beingness, personalization of the "I", another character and the concreteness / realism of the character and the artistic world, and the FUSION (DARKNESS) paradigm is the night or transitional time of the day, darkness, sleep, drowsiness or intoxication, water element or fog, secretiveness, the fading of life processes, stopping movement or periodic / circular movement, a feeling of love or death, weak personalization of the lyric "I", often through the "Other". As a result of the analysis of the poems, it is shown that both components of the paradigmatics of the poem (both "I" and "Other") are based on the same correlation of the principles of fusion and distinguishability.